The Creative Process | Client's Brief | Client/Agency Relationship | Advertising Brief |
Passing the Buck
| Costing and Scheduling | Production | The Aftermath |
Contacts




Costing and Scheduling


Now the proposed ad has to be costed. This is where Production (also known as Traffic) come into it. It's their job to take into consideration the multitudinous factors and elements that go into physically producing the damn thing. If it's a TV or radio ad, a producer will also be needed. They will usually have to hire an independent production company to make the ad. Sounds like a lot of chefs? Well, it is. Production companies love making commercials because it gives them a chance to offset their losses from making one too many home furnishing clones for the BBC. Production will present the account handler with their estimate, as well as a timing plan detailing the various stages of development. Again, the account handler has to take this lot and sell it to the client. It will be here that the agency's decision to shoot the ad in Hawaii will be questioned? Can it be done in Bournemouth instead? Could we, in fact, do it in a studio? Hold on a sec, we have plenty of room here at the client's offices, why don't we do it there, think of all the money we'll save? Hair will be torn out. Voices will be raised. In extreme cases, excrement may be thrown.
 
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